We are helped, in our storytelling, by the materials we have at hand -- both our printed haggadot, and the stirrings of our hearts. Not surprisingly, my family uses the Velveteen Rabbi's Haggadah for Pesach to guide us along the way. But although it's the haggadah I've assembled, it's not the only one I love.
I love all kinds of haggadot. I love the classical text, and I love the many variations thereupon, and I love that a haggadah can still recognizably be a haggadah even when things change. Hebrew or vernacular (or both), prose or poetry (or both), minimalist or maximalist -- I love them all.
Right now I am enamored of the latest addition to my haggadah collection: The Asufa Haggadah, 2015 edition. Here's how the publisher describes it:
- Each artist creates only a single page
- The artists must use the standard Haggadah text
Now, for the first time, that haggadah is available in North America, exclusively through Print-O-Craft.
The haggadah is stunning. Every page is different and every page is beautiful. The art brings the story to life. I'm a wordsmith; words have long been my trade. But this haggadah is as much about the visual storytelling as it is about the text, and I find myself lingering on every page. This is transformative work: the art changes my experience of the existing, and familiar, Hebrew text.
I love that this is how we both celebrate, and continue to create, our peoplehood: by telling a story. Once upon a time we were slaves to a Pharaoh in Egypt, and the Holy One of Blessing brought us out from there with a mighty hand and an outstretched arm.
There are so many ways to tell this central tale.