View from the roof of the Ecce Homo, twilight. Below: intersection with minaret, shopkeeper's wares.

I've never stayed in the Old City before. The moment I walk out of the convent guesthouse where I am staying, I'm on the cobblestones of the Via Dolorosa. Merchants selling Christian religious icons beckon me into their storefronts. If I continue walking away from the Lion's Gate, I reach a T-junction. If I turn left there, and follow the road as it zigs and zags a bit, I wind up at the Kotel. If I turn right, and follow the road as it zigs and zags a bit, I wind up at the Damascus Gate.

I don't think these streets are officially part of the marketplace (shuk in Hebrew, souq in Arabic), but there are market stalls along them nonetheless. A few vendors are selling prayer beads / rosaries (both Christian and Muslim), or religious icons. Others sell leather sandals, spices, Arabic candy, loops of sesame-encrusted bread, plastic toys, abayas, and alarm clocks shaped like the Dome of the Rock.

I am an obvious outsider in my jeans, sandals, and t-shirt. Even when I don't have my camera out, even without a guidebook in hand, I am clearly a foreigner, which means that vendors call out to me as I pass. "Hello! Miss! Step inside. Come and see." I smile but keep on walking; I'm not in the market for their wares. I wish I could snap photographs of the market stalls, and of the locals as they weave effortlessly through the foot traffic, but I don't.

Breathing in, I inhale coffee with cardamom, a tendril of the incense burning at the spice vendor's shop, vehicle exhaust, the apple-like sweetness of nargila smoke. The scents link me instantly with my summer in Jerusalem and with the trip Ethan and I took to Amman. This is the fragrance of the Middle East. I wonder whether I first encountered it on my adolescent trip to Cairo with my parents and sister, all those years ago, but I can't call up those sense-memories. One way or another, there is nothing like this scent back home.

Around me I hear the clamor of voices, mostly speaking Arabic, which I do not understand. Occasionally I hear a snatch of Hebrew, mostly from the visibly-Jewish passers-by, the men in black frock coats with peyos and hats, the women with their hair wrapped in scarves who push strollers and lead little ones by the hand. The streets are narrow; there is barely enough room for the occasional car which creeps through, horn blaring when the foot traffic gets in its way.

As I return to the guesthouse, the set hour arrives for Muslim evening prayer. The adhān rings out first from one minaret, then from another, and within moments I am ensconced in an aural web of voices coming from every direction. The melody is plaintive and melancholy to my untrained ear. (Not so much a melody as a nusach -- like the old melodic modes in which we sing weekday prayer.) The voices seem to ripple, like the surface of a pond into which stones have been thrown. When the call to prayer falls silent, I hear the sound of church bells.

Photos, once again,  from my ever-expanding trip photoset.