On your third yahrzeit
I said kaddish
riding on a speckled roan
surrounded by live oak
and prickly pear.

My horse was first in line.
I wanted to watch my son ride
but maybe this was right --
aren't I still
following you?

That morning
Dad asked where you are
three times.
Each time I answered
I watched him lose you again.

Magnified and sanctified,
I whispered in Aramaic.
My horse's ears twitched.
The mourning doves
murmured amen.

On my mother's third death-anniversary (on the Jewish calendar) I was in Texas with my son, visiting my father who is receiving hospice care. I wanted my son to have some sweet memories of this trip alongside the hard ones, so I looked for a place where we could go on a trail ride, somewhere not too far from town. I commend West Creek Trail Rides to you; all of their horses are rescues, and they're lovely. 

While the mishna teaches that one should dismount from a donkey before praying, the sages of the Talmud do permit praying while riding so long as one can pray with kavanah, intention and attention. (Brakhot 30a.) They were talking about the Amidah, but I think the teaching applies. And I know my mother would have been tickled by my unusual location for saying kaddish and remembering her.

If this poem speaks to you, you might find meaning in Crossing the Sea, published by Phoenicia -- poems chronicling my mother's death and my first eleven months of mourning.

In recent weeks we've been reading Torah's instructions for the mishkan, the sacred space that we build so God's presence may dwell in us. Soon we'll start reading about the actual building thereof. But in between the blueprints and the construction, in this week's Torah portion, there's another story.

"When the people saw that Moses was so long in coming down from the mountain, the people gathered against Aaron and said to him, 'Come, make us a god who shall go before us, for that fellow Moses -- the man who brought us from the land of Egypt -- we do not know what has happened to him..." (Ex. 32:1)

Time for the Golden Calf.

This year I'm noticing a new emotional valance. Moses went up the mountain, and they probably expected him to come right back down. But he didn't. And the path ahead began to seem uncertain. Maybe they felt like life was on pause, or felt uncertain when they would start moving again.

Instead of that nebulous uncertainty, they wanted something tangible. Don't tell us you don't know how long it will be: we want to get back to normal now. Just make something up so we can feel normal now, because the not-knowing and the waiting are psychologically and spiritually uncomfortable!

I think we know that feeling. And if that's sometimes true for us, how much more true it must have been for our spiritual ancestors emerging from slavery? Not knowing can be terrifying, especially for someone unaccustomed to freedom. They were like children: seeking easy answers, resisting growing up.

The thing is, there's holiness in the not-knowing. There's holiness in opening ourselves to the uncertainties of wilderness. It's no coincidence that our ancestors hear God's voice most clearly in the wilderness. The midbar (wilderness) is where God m'daber (speaks) -- or at least, where we hear.

Right now I'm in a different kind of midbar, a different kind of wilderness waiting. Some of you know that my father, who is eighty-seven, has been in and out of the hospital this winter with COVID and then post-COVID complications. He's now receiving hospice care. The end of his journey is beginning.

And we don't know when the end will be. The weight of that not-knowing is tremendous sometimes. There's a temptation to lurch toward certainties, to clutch at "answers" that aren't really answers. To think: what can we throw at this to yield a nice, satisfying answer that will get us back to normal?

But there is no "back to normal" when someone is dying. I can't go back to the years when he was vital and vibrant, because this is a new part of his journey now -- and mine. So I'm in the wilderness. It's not comfortable, sitting with mortality. I empathize with the Children of Israel making that calf.

And I know that this wilderness has something to teach me, if I can quiet my racing thoughts and anxious heart in order to learn. This is my own wilderness -- mine, and my family's. And... soon we will reach one million COVID deaths in the United States. There are a lot of us in this wilderness.

This week's Torah portion reminds me that it's tempting to clutch at whatever we think will make us feel better. Anything to push away this not-knowing, whether the uncertainty is personal (like my father's trajectory) or communal (like COVID). Not knowing what comes next (or when) is uncomfortable.

Today's golden calves are a bit subtler than the literal statue in Torah. Maybe we focus on denial of death, or on our outrage about the latest horrific headlines. Either way, we become like the guy in the Zen parable about the teacup: keeping our cup so artificially full that no wisdom can pour in.

This Shabbes, let's take time to be with the not-knowing. We don't know when death will come: that's not just true for my dad in hospice. We don't know when the pandemic will recede. We don't know when Moses will come back down the mountain. Let's open our hearts, and let the not-knowing in.

This is my d'varling from Kabbalat Shabbat services at Congregation Beth Israel of the Berkshires. (Cross-posted to my new From the Rabbi blog at CBI's new website.)

"You're home from the hospital," we prompt
our father, back in assisted living.
"No I'm not," he insists. "This isn't home."
I wonder which house he's remembering.
He thinks he's somewhere temporary.
In the end, does the body feel
as extraneous as the oxygen tank
he keeps forgetting he's tethered to?
But there's country music at happy hour
and he tells himself stories
that turn his nurses into old friends.
He knows he's somewhere temporary.
A mezuzah gleams on the final door.
We don't know when he'll go through.

A haiku inspired by a visit to Adams. (The text on the image reads: Registry of deeds / Japanese capsule hotel / for secular scrolls.)

One of the best things about sharing creativity online is when other creative folks make something beautiful and new, arising out of / inspired by / in conversation with something that I created.

Like this right here, created by two longtime blogfriends:

The Gifts from Allan Hollander on Vimeo.

The audio recording is by Allan Hollander, and the animation is by Alison Kent.

The poem was originally published in my first book-length collection of poetry, 70 faces: Torah poems (Phoenicia, 2011). If you don't have a copy, I hope you'll consider picking one up wherever fine books are sold. 

This week's Torah portion contains one of my favorite verses: "Let them make Me a sanctuary, that I might dwell among them." The Hebrew could also mean "within them." We build God a sanctuary so that God -- holiness, love, justice -- can dwell within us.

This year, I'm struck by the colors and the textures. Acacia wood covered over with hammered gold. Fine linen. Goat hair. Blue and purple and crimson, blue and purple and crimson, blue and purple and crimson. (Perhaps you've noticed those colors in this morning's slides!)

A glimpse of this morning's slide deck.

I can almost feel the homespun cloth between my fingers, and the contrast with the fine linen. And my eyes crave the vibrancy. Picture the shining metals and acacia wood. The rich colors of blue and purple and crimson -- in modern language, they "pop."

I was talking with someone from the congregation this week who observed that it feels like we've collectively lost access to something we really need. We've lost spontaneity, or fun, or joy. Everything feels uphill, and joy feels out of reach. I hear that a lot, these days.

896,000 Americans have died from COVID so far. We lost 405,399 in World War II. We lost 58,000 in Vietnam. The number of COVID deaths thus far is so much higher, I can't begin to process it. And that's just here. Unlike any war, this virus is everywhere.

Dayenu, that would be enough! and then there's school boards banning Holocaust books, and a caravan of angry people taking over downtown Ottawa, and -- it's a lot. It's really and truly a lot. What tools can this Torah portion full of ancient blueprints give us for that?!

I found four. Here they are.

1. Beauty in the wilderness

At this moment in our story, our ancestors are arguably traumatized. They went from slavery and hard labor and constricted spirit, to wandering in the wilderness with no clear sense for what's next. They're probably exhausted, maybe afraid, and ready to be done.

Exhausted, maybe afraid, and ready to be done -- does that ring a bell? And that's exactly when God says: bring the gifts of your heart, everyone who is so moved. Bring wood and precious metals, bring the most vividly-colored yarn and fabric, and make beauty.

Our hearts and souls and spirits need beauty, even in the wilderness -- or maybe especially in the wilderness. It may be tempting to say that art and beauty, vibrant colors and music, sacred spaces of all kinds are a luxury. Torah teaches otherwise.

2. Sanctuary

Think about the meaning of the English word sanctuary. As in, "give me sanctuary!" To me it evokes a safe place, a sacred space, a place where no one can hurt me. A place where I can flee from all of life's troubles. Where I'm safe, and can feel hopeful, and be at peace.

Wow, I yearn for that right now. I'll bet some of you do too. A place of safety and holiness and dignity, a place where nothing and no one will do us harm, a place where we can lay down our load and be at peace and maybe even feel joy. Like a vacation, but deeper and more real.

We need that, just as our ancient ancestors did. And the only way to build it is together. To build a mishkan (from the root שכנ, as in Shechinah, divine Presence) -- to build a place where God can dwell -- requires all of us... and that safe holy place is for everyone.

3. Use what we've got

Like our spiritual ancestors, we can use what we have to connect with holiness wherever we are. They had acacia and gold, blue and purple and crimson yarn. Maybe right now, for us, it's a special tablecloth, or a hand-knitted sweater, or a cherished recipe: all tools for holiness.

Shabbat can be a sanctuary -- a day set-apart from the turmoil of the week. Music can be a sanctuary. For me, lately, that's meant singing along with the Encanto soundtrack! When I'm singing, I am lifted out of where I've been. A contemplative cup of tea can be a sanctuary.

Right now, between pandemic and February ice storms, we may feel stuck. But wherever we are can be a holy place, because God goes with us in all of our wanderings. That's why the Ark of the Covenant had gold rings in the side, and gold-covered poles always in the rings.

4. Bringing our gifts

And when COVID numbers go down and we gather onsite again, we will bring our gifts to community. That's what the name of this week's Torah portion means: t'rumah, the freewill gifts of the heart. The mishkan was built because everyone was moved to help build it.

What kind of holy community do we want to build together when the snows melt, when the voice of the red-winged blackbird is heard again in the willow tree behind our shul? And what can each of us bring? Because building community is like Stone Soup. It needs all of us.

The mishkan isn't a building, as beautiful as our building is. The mishkan is community -- the way we uplift and take care of each other, learn with each other, pray with each other, do mitzvot with each other. That's how we make a mishkan where holiness really dwells.

This is my d'varling from Shabbat morning services at Congregation Beth Israel of the Berkshires. (Check out our spiffy new website!) Cross-posted to the new From the Rabbi blog there.

I’m driving south past rock faces
where springs seep in summer
fixed now in ice, unmoving, opaque.

Snowy hilltops pink
with morning light, but
route seven curves in shadow

striated with sudden sun
where the hills gap
and let light through

like your memories
of mom, of me, of where you are --
here, and then gone.