Nava Tehila at the #URJBiennial, and renewal everywhere
December 11, 2017
A glimpse of where and how I davened on Friday morning.
One of the highlights of my URJ Biennial was davening last Friday morning with Nava Tehila.
This is not surprising. Longtime readers of my blog know that davening with Nava Tehila has long been one of my favorite things in the universe, anywhere. Let's see: great music -- check. Deep heart-connection -- check. Awareness of the flow of the matbe'ah (the structure of the service) -- check. Attunement to body and to silence -- check. Balance of contemplative and ecstatic -- check. Davening with Nava Tehila feels like coming home.
I love how they set the worship space up, in concentric circles with space in the middle, a kind of emptiness echoing the ancient holy of holies. I love how Dafna and Yoel work (wherever they are) with a cadre of holy levi'im, musicians who aren't just accompaniment but are part of the active leadership team. I love their melodies and harmonies. And all of these add up to more than the sum of their parts. Every time I daven with Nava Tehila, I come away with my heart and soul feeling recharged, reconnected, and rejuvenated, and my body buzzing from the dancing and the joy.
It was neat to daven with them at a gathering explicitly created by and for Reform Jews, and to see that they don't change what they do in any way based on the denominational identity of the community with whom they're davening. And I know that last week they were at the USCJ, the big gathering of Conservative Jews, doing the very same kind of thing -- and, I'm guessing, meeting with every bit as much joy and enthusiasm and wow! as they heard from the Reform crowd on Friday morning.
When I say that renewal flows through all of the denominations, this is part of what I mean.
Colorful tallitot are everywhere, for instance. Not only the rainbow tallit that Reb Zalman z"l designed so many years ago, each color of the rainbow representing one of the seven "lower sefirot" or aspects of divinity -- though I saw a bunch of those at the Biennial, as I do everywhere! (And I'm guessing most people have no idea who designed that tallit or what its origins are -- though if you're interested, here's the story, which I love knowing.) But the very fact of multicolored tallitot was one of Reb Zalman's innovations in the first place, back in the 1950s. Now they're a natural part of Jewish prayer life almost everywhere.
And renewal melodies are everywhere. I can't tell you how often I've encountered a liturgical melody by Rabbi Shefa Gold -- come to think of it, we sang one on Friday night at the URJ Biennial before dinner in the ballroom where I was seated! Her melodies are known and sung across the Jewish world (and as with the tallitot, most people may not know where they come from -- it's easy for melodies to seem miSinai, as though we received them with Torah at Mount Sinai.) There are other renewal composers whose work is becoming part of the canon, too, like Shir Yaakov. And, of course, Nava Tehila, who share both their melodies and their way of davening not only in their Jerusalem home but in places they visit around the world.
Beyond the music, renewal modes of davenen (prayer) are everywhere. If you've ever been to a chant-based service, a contemplative service, a service that drew on Jewish meditative or mystical teachings, a service where people danced in the aisles, you've had a brush with some renewal ways of connecting with prayer. (I say "some" ways, rather than "the way," because there is no single way to pray in Jewish renewal. That's why as a renewal rabbinic student I was expected to learn how to lead prayer-ful worship using any prayerbook there is, from full-text to minimalist, across the denominational spectrum... and to pray not only with books and received liturgy but also with silence, and music, and the unfolding prayers of the heart.)
And the flow of renewal continues. Renewal as it's unfolding now contains elements of what came before, remixed in new ways. I see Svara: A Traditionally Radical Yeshiva as part of the flow of renewal. The Institute for the Next Jewish Future, the Jewish Emergent Network, the Kohenet Hebrew Priestess Institute are all part of the flow of renewal. (Some of these people and places may self-identify as part of the renewal of Judaism. Others might not choose the term "Jewish renewal" to describe what they do. But they're all part of renewal from where I sit.) Bayit: Your Jewish Home -- the new nonprofit organization I'm co-founding; stay tuned for more on that! -- is part of the flow of renewal. And so are many other places and spaces besides.
Renewal flows through all of the denominations, and in and through post-denominational and trans-denominational spaces, too. As software developers say, this isn't a bug, it's a feature. It isn't an accident or a mistake -- rather, it's part of renewal's core design. Renewal was never meant to be a denomination. Renewal is a way of doing Jewish, a way of approaching Judaism and spiritual life, that can enrich and enliven Jewish practice of all flavors. I've been saying that for years, but there was something extra-special for me (as a rabbi who serves a Reform-and-renewal shul) about living out that belief at the Biennial this year.
Related:
- The capstone of my week: Kabbalat Shabbat with Nava Tehila (2016)
- Visions of Renewal (2017)
- Renewing Judaism (2017)