One year ago:
a hospital room
on the seventh floor.
I stood for Hallel
in grippy socks
and thin johnny

my hand adorned
with a heparin drip
on a wheeled pole,
leadwires and stickers
reporting on
my unruly heart.

Most days
I forget.
Mind busied
with counting
how many meetings
are scheduled.

Did I make room
in the car
for my son's double bass,
is there milk
in the house
for tomorrow's cereal?

But then
your voice knocks
and my heart wakes,
remembering --
being alive
is revelation.

Every sunrise and sunset, birth
and death, blossom and snowfall...
How does Your mouth not tire
of speaking the world into being?

Almighty, we can’t imagine
infinity without growing weary.
It's hard to remember
Your mouth is purely metaphor

though Your speech is real.
You speak every atom
in the universe,
a mighty chord resounding.

If You ever chose silence,
even for an instant,
we would blink out of existence
as though this experiment had never been.

R. Rachel Barenblat

This is a revision of a liturgical poem I wrote several years ago. It appears in my book Open My Lips, published by Ben Yehuda Press.

I still love the imagery in the original poem, and the way the cascade of items evokes the constancy of God's speaking the world into being. And... I've found that it's too long for me to regularly use as liturgy.

So here's a shortened version that works better for my current davenen-leadership style. Perhaps it will speak to you, too.

So many things here used to be yours. I'm looking at two little harlequin dolls. Their hands and feet are made of china; their bodies are silken beanbags dressed in bright flowers. They sit on a bookshelf at my house, as they did at yours. The bookshelf itself was yours, once, too. I think you would like seeing your things interwoven with mine. Of course, either you will never see this -- or you are always already here with me. Usually I assume it's the latter. Every now and then I'm racked with grief-stricken certainty that it's the former. When that passes, I go back to talking to you every time I pass your photograph, as though it were a window between here and wherever you are. Last night I dreamed that I held my breath, dove deep down into a vast cistern, and slipped through an airlock into a hidden world. There should have been pressure at that depth, but instead gravity was lighter, like walking on the moon. Do you feel lighter now, unencumbered by the illness that mortal flesh is heir to? Where is the airlock that will let me find my way to where you are? 

First thing in the morning
the salon is mostly empty.
A beautician kneels before the altar
with incense, bowing.
Fresh fruit honors the ancestors.
No hungry ghosts here.

The chair next to me is empty.
If I cast my gaze up and to the right
scanning the shelves of polish
I can almost see you
out of the corner of my eye
sitting beside me.

You're wearing capris too, though
you called them pedal-pushers.
Tea-length sleeves, because
you didn't expose your arms
once there were wrinkles.
Bright lipstick, gold hoops.

Your grandson's dating.
Every time the orchestra plays
he wears his grandfather's tie.
How can I miss
these surface conversations
so much?

When I drive, I talk
to Shekhinah in the front seat.
At the beauty parlor I talk to you.
For a moment the incense
overpowers the astringents
like your perfume.

If this poem speaks to you, you might enjoy Crossing the Sea, my most recent volume of poetry, written during the first year of mourning my mother.

On talking to Shekhinah -- here's the title poem of the collection before that one, Texts to the Holy.

Phone, shut up about the news.
War in Ukraine, assault on trans rights,

a perp walk and its possibilities --
even the very Facebook where people

will find this poem: none of them help me.
Alert me to pay a different attention.

Listen: the red-winged blackbirds are back.
Forsythia blooms across the muddy lawn.

The angle of light has changed -- even when
the mercury drops, the sun's irrepressable.

From here the willow trees look smudged,
sunny haze hinting at leaves to come.

There will always be seasons to notice.
If all else fails, there's always the sky.

Every night
I tuck my teen in bed

and close his door, humming
the lullaby you used to sing.

Most kids of his generation
don't know "A Bushel

and a Peck." 1950:
you were glamorous,

flirting with the bugler
you would later marry.

I don't think he remembers
"put another nickel in,

in the nickelodeon,"
though you sang it

when he was swaddled
in velcro-edged blankets.

Another top hit
from when you were fourteen,

the age he's
barreling toward

now.

Songs that didn't make it into this draft of this poem include "Sisters, Sisters" (White Christmas, 1954 -- the year my parents married), "Annie Mae, Where Are You Going," (origins unknown, though I suspect it's a camp song from the late 40s or early 50s), and "The Billboard Song" which exists in many folk versions, though of course I'm attached to the one Mom used to sing. Sometimes I wonder which songs from my son's childhood -- or, perhaps, from mine -- will delight and comfort him in the (hopefully distant) future when I'm gone.

our children have to learn
we need libraries
we accept children

I felt so bad for that boy
taped to the cross with
duct tape

God
keep us safe from people
whose parents ban books

Amen.

I am new to the art of erasure poems (and am deeply inspired by Dave Bonta's erasure poems -- here's a recent one that's particularly excellent.)  But I found myself struggling for words this morning. 

Language itself becomes debased, meaning comes unmoored, when people repeatedly insist on things that are not true. This form felt right today. It's my attempt to make meaning out of gibberish. 

(The original text claims to be Sarah Huckabee's "rebuttal" from last night. If you want to read her words, you can easily find a transcript of what she had to say. I won't reprint her words here.)

While I'm here: trans rights are human rights, gender affirming care saves lives, banning books is grotesque, and God is a far vaster reality than what any single religious tradition might claim. 

Updated to add: Thank you to the reader who let me know that I've been hornswoggled -- this is not in fact the text of her rebuttal, it's satire. The fact that I couldn't tell satire from reality does say something about the world we're living in, and about the degradation of truth in an era of misinformation, and about how easy it is to get caught up in the digital outrage machine. I've been reading on Twitter about horrendous anti-trans bills in Missouri and elsewhere, and the ugly rhetoric and triumphalist theology that underpins those, and I was all too ready to take this satire as fact. I should have better media literacy than that -- I should have searched for a corroborating source before getting so angry. I apologize.

Then again, I do like the poem I came up with, so there's that. 

Can't force a poem,
only invite it.
Like spring.

Keep the door propped
the circuits open
bag packed

for when
Elijah arrives, singing
better days coming.

Build a perch
for the goldfinch
from painted willow.

Even if
it's hard to believe.
Especially then.

The hills
are dressed

for morning prayer
shoulders wrapped in wool.

Their winter tzitzit
are made of ice,

turn to tchelet
after the last snows.

Do our houses serve
as their tefillin?

We're the tiny scrolls
tucked safe inside.

The soup my ancestors made
was not like this.

Beets withered from cold storage
haven't changed, nor

the sharp bite of cabbage,
potatoes blinded by a paring knife

but who had tomato paste
in Stolpce or in Krasnopol?

They didn't store their broth
in freezer-safe Ziplocs

or browse a dozen recipes
for just the right black bread.

And when they heard
somebody hates the Jews

they might have said, so what?
Lake sturgeon swim upstream.

Some make it home to spawn;
some spill their gleaming jewels

at the tip of a fisherman's knife.
They don't complain. The water

that they breathe is all
they've ever known.

Hot Ukrainian Borscht is the Winter's Most Restorative Soup, Cook's Illustrated, January 2023.

A Family Finds Swastikas on the Lawn as Antisemitism Surges, The Washington Post, January 2023.

Also, it does look like tomato paste has long been a Russian staple -- though I'm guessing it was more likely to be homemade than to be the kind of mass-produced stuff most Americans eat now.

I don't have a copy of the original 1979 edition, alas.

When I saw the words "Jews do not come from heaven" in the table of contents of The Missing Jew: Poems 1976-2022 by Rodger Kamenetz, unbidden my mouth said aloud, "they come from Russia."

I love this poem. I have been quoting its opening lines since I read a previous edition of The Missing Jew when I was in grad school the first time around, getting my MFA at Bennington. Here it is:

Jews do not come from heaven
they come from Russia.
With green eyes and olive skin.
Jews do not go to heaven
they go to Baltimore.

They do not come from heaven
because heaven is always
in the back of their minds.
They don't want to think about
heaven any more
it's too much trouble.

God bless Ben Yehuda Press (full disclosure: they published my books Open My Lips and Texts to the Holy, and they are Bayit's publishing partner on Beside Still Waters and Renew Our Hearts).

They've brought this new-old creation into print as The Missing Jew: Poems 1976-2022. The first section is the original 1979 collection. Rodger remixed his own work in 1992, and that's here too:

"Jews do not come from heaven..."

Jews are all people
in time
They are as plain
as day...

I thought to go back
to some Russia
of the eyes
Hazel eyes
green mixed with brown
young wheat, dark soil
streaks of sunlight
and a winter
of suffering...

I am here
in the thinnest sense
imaginable
an exile
wherever I go

Look how this poem speaks to its predecessor, like a great-grandchild answering a letter left by an ancestor. I hear melancholy Shostakovich, I feel my Russian grandfather looking over my shoulder.

And the remix of "Jews do not go to heaven" -- I will resist re-typing it here for you. I'm going to memorize that one, though. The one word he revised between 1992 and 2022 changes everything.

Is there a word in the world
waiting to be heard?
As if for the first time
and the only time is now?

That's from "Invisible Lines of Connection," dated 2020. Although this book was pieced from many sources -- published books, other poems from other moments -- it feels like an integrated whole. 

That integration makes me think of how the Talmud both holds and transcends the voices within. Even when the sages disagree, they are (as it were) on the same page. It's one interconnected conversation.

Here are psalms and songs from 1981-2021. Here are mourning poems, including "Lentil" which we reprinted in Beside Still Waters. It sometimes makes me gasp when I run across it again there.

This book is full of memory, and mysticism, and God speaking the world into being in Her own inimitable way, and Reb Nachman with his tears under the table pretending to be a turkey.

Fallen leaves recite kaddish. The infinite arrives on lightning feet. Every word is broken. Only the hidden can burst forth. We forgot what we were yearning for. Every one and every thing is for you.

I'm cheating: that paragraph is a pastiche of Rodger's lines. If that doesn't entice you, I don't know what would. I want to start a new commonplace book so I can copy these lines in my own hand.

The Missing Jew Poems 1976-2022 is available at Ben Yehuda Press or wherever books are sold.

The midrash says when the invaders left
they carried off the golden lamp as loot.
The absence of the lampstand was an ache –
without its light, reserves of hope ran low.
We had to improvise with what we had:
the iron spears our enemies had dropped.

We made our Ner Tamid that year with trash,
repurposing the implements of war
for bringing sacred light. How about now?
The planet is our Temple – and it burns.
We can’t just close our eyes. We’re all
indicted by the plastics in the seas.

We need to learn to sanctify what's here:
weave rags to rugs, old tires into shoes,
upcycle guns to instruments of song.
The miracle is not that God steps in –
it’s that we use these remnants to rebuild:
dedicate them and their sparks to God.

The midrash says. See Pesikta Rabbati 2:1. Ner Tamid. The “eternal light” that burns in every synagogue now, evoking the menorah lit in the Temple. The plastics in the sea. The Great Pacific Garbage Patch is one example of vast accumulation of microplastics in our oceans. Old tires into shoes. This is done all over the world, and is beginning to happen in the United States. Upcycle guns. See Pedro Reyes Creates 6,700 Beautiful Instruments from Mexican Drug War Guns.  We use these remnants. Innovators have turned plastic waste into bricks. Rededicate. The name Chanukah means dedication. [S]parks to God. From the mystical teaching that creation is filled with holy sparks that it’s our job to uplift.

This is my contribution to this year's Hanukkah offering from Bayit's Liturgical Arts Working Group. Click through for our whole collaborative offering of new poetry, liturgy, and art: The Light Travels.

This hillside is still
copper and rust flecked gold,

the rest bare and barren
a foretaste of what's to come.

Why does this light
still shine

when the rest
have let go?

The leaves aren't hope.
The trees don't mind.

Sometimes it lifts,
the sense of endless loss

and sometimes it settles in
like early winter.

This poem came to me while I was driving. It's not inspired by this specific hillside, but this one is close enough.

I've considered several titles: Fall. Rust. Grief. Let go. To live in this world. (The titles themselves make a small poem.) What would you title it?

Today we touch a mezuzah in time.
Behind us: a road glittering with holy days.

Look back over your shoulder and see 
a week in the sukkah, and before that

the fierce intimacy of Yom Kippur,
Rosh Hashanah's gilded majesty, and

before that the still waters of Elul,
the grief and uplift of Tisha b'Av...

Ahead: a fallow field scattered with leaves.
Time to integrate our changes.

Shemini Atzeret is a day for pausing,
the silence after the chant.

Today God asks us to linger a little longer.
Seven days of Sukkot have ended, but God says,

"won't you stay in the sukkah with Me
one more day, beloveds?" And we do.

If this speaks to you, you might also enjoy Seven songs, a poem cycle commissioned by Temple Beth El of City Island a few years ago, and A Sestina for Shemini Atzeret.

By the edge of the lake
of large red pines

I learned my name
calls out for rejoicing

though it's almost
time to pray

for rain. Beneath
heavy clouds

red-gold flags flutter.
Sometimes watering

looks like weeping
when we're one stiff wind

away from barren.
Teach me

to remove the stone
blocking your lips.

after Jack Kornfield

After the festival, the laundry.
After the festival, exhaustion
and punch-drunk laughter.

Collapsing into the armchair
and absently petting the cat.
After the festival, silence rings.

There's so much to do -- building
and repair, a new name for God,
making all our promises real.

But not today. Today, gratitude
for the washing machine, swirling
my Yom Kippur whites clean.

כִּֽי־אָבִ֣י וְאִמִּ֣י עֲזָב֑וּנִי וַֽיהֹוָ֣''ה יַאַסְפֵֽנִי׃

"Though my father and mother abandon me, God will take me in.” (Psalm 27:10)

It’s the start of Elul 
and these words
stick in my throat.

They’d grown so tired.
I told them it was okay,
they could go. But right now

it isn’t okay. They won’t
ever sit at my table again.
Their voices are silent.

All the high holidays
I haven’t lived yet
stretch ahead of me

without parents,
just still photos
behind the lit candle.

It’s a scant six months
since we buried him
on his side of the bed. 

Having no parents
is so much more (or less)
than having only one.

At the bend of the river
there's a pond we don't call
the womb of the world, though we could --
this patch of deep water reflecting
tall purple loosestrife.
The pond is a womb, the world
is a womb. Emerge glorious
and dripping, emerge like Chava
radiant and new. Then listen
to cricketsong's rise and fall --
the One Who speaks us into being
the One Who enwombs all creation
is murmuring blessing over
and over, telling us who we are.

Content warning: miscarriage, rape, child abuse, forced birth.  Please take care of yourself: if reading about any of those things would cause you harm, skip this poem.

1. Miscarriage

Thirteen years ago I went to sleep pregnant and woke with thick clots sticky on my thighs. Swamped with blood and despair, I pleaded please God please don't let this be a miscarriage, but my prayer was null. That pregnancy was already over. At least my body expelled the tissue without incident. I didn't go septic. And back then if I'd needed a doctor, I could have entered any public hospital, even in a red state. If it happened today I could be like the woman sent home from the hospital to wait for infection to set in. Or the one sent home to fill a bathtub with blood because the D&C she needs is now against the law. She says they'll stop trying to conceive: in the state where she lives, it's no longer safe. Grief and rage rise in me like a hurricane, like a tsunami, like the flood of blood I couldn't stop.

2. As if

as if
the agony of our bodies betraying us
weren't enough

now 
we might be blamed for feticide
we might be jailed

hemorrhaging
we might have to beg the pharmacist for drugs 
they still might say "I can't help you" 

3. Weep

For the one who knows a second bout with postpartum depression will be fatal.
For the one with preexisting conditions for whom pregnancy means death.

For the one shadowed with bruises, trapped in an abusive marriage.
For the rape victim now twice forced. 

For the pregnant child, almost certainly violated 
by someone they know, body wracked and changed.

For the one forced to carry a dead fetus to term and labor to birth it. 
For the one who just doesn't want to get pregnant.

For everyone now realizing that if they get impregnated, a cluster of cells trumps.
For everyone who's known that choice is not enough, and could be taken away.

4. Questions

Which is worse: being jailed for miscarriage
or forced into giving birth?
Had you considered that question before this year?

Did you previously understand
the Supreme Court could strip away bodily autonomy
as though it were a dress we no longer get to wear?

If your answer is no: are you white, affluent, cisgender,
straight, and/or temporarily able-bodied?
Do you think those adjectives will protect you now?

I don't live in a forced-birth state, though the GOP is already talking about banning abortion nationwide if they gain control of the Senate in November.

For now I'm thankful that I retain autonomy over my own body, and I grieve and rage for everyone for whom that is no longer true (and/or was never functionally true -- I'm aware that for many, the promise of "choice" was meaningless without access and resources.)

My practice is to grieve and rage (and write furious poems) when I need to, and then find something I can do to help people who have it worse than I do. If you have a few dollars to spare, donate to the NCJW Jewish Fund for Abortion Access. It doesn't fix what's broken, but it will help.